EDUCATION
Paris College of Art, Paris - MA DRAWING 2023 - 2024
Gray’s School of Art, Aberdeen - BA CONTEMPORARY ART 2018 - 2021
North East Scotland College, Aberdeen - ART & DESIGN 2017 - 2018
West College Scotland, Glasgow - VISUAL COMMUNICATIONS 2015 - 2016
SOLO EXHIBITIONS
Gull Fest - Greyhope Bay Centre, Aberdeen, July 2026
GROUP EXHIBITIONS
Second Edition - Early Career Printmakers of Aberdeen - The Kooperator Space, Aberdeen June-July 2026
Traces - Six Foot Gallery, Glasgow, December 2025 - January 2026
First Edition - Early Career Printmakers of Aberdeen - The Kooperator Space, Aberdeen June-July 2025
SYMBIOSE/SYMBIOSES, MA Degree Show - Paris College of Art, Bastille Design Centre, Paris May 2024
Art on Loop - The Holy Art, 32 Rue Notre Dame de Nazareth, Paris April 2024
New Contemporaries - Royal Scottish Academy, The Mound, Edinburgh March-April 2023
ONWARD, BA Degree Show - Gray’s School of Art, Online July 2021
MOVE//IN, BA Pre-Degree Show - Gray’s School of Art, Online moveinexhibition.wixsite.com/movein May 2020
CAP Products - Gray’s School of Art - Aberdeen September 2019
TWO HALVES - Silver Fin, Aberdeen May 2019
SCO-SKO - MENADA, Skopje, Macedonia January 2019
Visual Communications - West College Scotland, Clydebank, Glasgow June 2016
Awards & Residencies
RSA New Contemporaries 2023, Royal Scottish Academy, Scotland
Drawing Into Being - Museum of Loss and Renewal, Collemacchia, Italy, June 2022
Publications
2026 Abject
2024 Migraine in Wonderland - p12, Zine, Published by Emily Chappell
2024 SYMBIOSE/SYMBIOSES, Fine Arts Graduates, Paris College of Art
2023 RSA New Contemporaries – Edition by Annie Cattrell, Rab Bennetts
2023 Drawing Into Being - Online Publication, Museum of Loss and Renewal
2022 Dreams of the Moon - The London Reader, Contemporary Voices in Creative Writing
2021 Grays Degree Show Catalog
I draw, write, and monoprint memories and experiences as a woman living with chronic illness and trauma. My process adapts to my fluctuating health and is led by vulnerability, resulting in a cyclical pattern of fast and slow work. My fast-paced, cathartic processes evolve to slow, compositional printmaking and back to large, long-developed but quickly produced drawings. This cycle of work becomes an archive of feeling and complexity which I aim to deliver through installation.
As an Aberdonian haunted by seagulls and pigeons, birds have always been anchors in my work. Their looming, ever-present nature and symbolic associations with freedom and survival are a key component in my visual language. The bird is a cornerstone for me, I often discover it at the heart of every project.
My compositional works almost exclusively relate to birds. They typically form through monoprint and are recently being explored through other forms of printmaking. My installation works unfurl from my studio process, scraps of inked tarlatan from my printmaking stitched together to form a physical shadow, or towering scrolls of paper overwhelmed with writing and drawing paired with notes and lists that ruminate on the psychological and physical experience.
